Most of my 1950s patterns are generally an unprinted tissue template for a singular size only. The main benefits of modern vintage-style patterns are the more realistic and modern proportions of the body measurements and also the inclusion of multiple size options so you can grade very easily between 2 or more lines to get a perfect fit. Because that’s where they were at when I discovered them, when indie pattern companies were brand new and it felt so refreshing to have exciting options outside of ‘the Big 4’ pattern companies, and is exactly the point at which I was keen on sewing all things 50s and 60s. There was something massively nostalgic about Sew Over It making a return to vintage.

Every single garment of that Ebook is divine but the one look that took my breath away was Lisa in the pale blue polka dot Miriam set and Chantelle in the raspberry linen version. And when Lisa asked if I’d model for Sew Over It’s Vintage Dreaming collection I had to pinch myself.

But I’ve never lost love for the classics. In fact its true to say I’ve altogether strayed away from vintage styles more recently, favouring an urge to be a bit more experimental instead. But an overriding anticipated disappointment in the result always held me back.

And I own very, many original vintage patterns that would have been perfect, believe me. I’ve wanted to make a classic dress suit for as long as I can remember.

The button the needle and the wardrobe